2’ Gay Moment Lets Down Richie Tozier

[This story contains spoilers for It: Chapter Two.]

Novels by Stephen King It considers the end of childhood to be the point at which an individual loses their virginity. In an act of love, defiance and despair, the Losers Club has a fight in a sewer. The purpose of action is to express love in the darkest of times. The scene drew a lot of criticism when the novel was first released in 1986. In the 2017 film adaptation, the kids found another way to bond. They make a blood pact. They agree to return to Derry, Maine, to defeat Pennywise if he does return. But childhood doesn’t have a definite end. Certainly, the decision to have sex doesn’t turn a person into an adult overnight. Scientists have not yet concluded when human childhood ends. In the United States, the law says it’s 18, but some experts say 25 is a more accurate measure of the end of adolescence.

In the 2017 adaptation of Andy Muschietti’s novel King, the time period is moved from 1958 to 1989; year The new kids in the Block are culturally relevant. But Muschietti managed to pull off some immortal touches of an American childhood often associated with the 1950s and ’60s. Billy rode a metal frame bike instead of the aluminum 10-speed that most kids in His financial demographics were all gone by that point.

An era update makes sense, with 80s nostalgia hitting all-time highs with shows like Strange things take over zeitgeist. However, given some of the trauma faced by the kids, specifically Richie Tozier (played by Finn Wolfhard as a child and Bill Hader as an adult), the script required an update that it never received. hours received. Childhood trauma is as visible under the skin of the Losers Club as it is in adulthood It: Chapter Two Discover the crew’s unfortunate reunion in their homeland. For most children, their lesions exist on the surface of the It movie. A hypocrite, Eddie’s overbearing mother instilled in him a fear of anything that could be defiled. Beverly’s father verbally abused her and sexually mocked her as she matured. Mikey watched his parents burn alive when he was a toddler.

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Six of the seven Losers left Derry as fast as their feet would carry them. Leaving allows them to forget, but it cannot erase the trauma they have gone through. It seeps out of their pores and influences their choice of a mate. Both Beverly and Eddie are married to a version of their parents. Billy, now a writer, can’t think of a happy ending since his brother Georgie met his bloody end on Pennywise’s doorstep. Stanley was so terrorized by his childhood torment that he “dropped the board” permanently. Like everyone else on the planet, the Losers are still trapped in their wounds. They just found new ways to cope. Richie ends up telling other people’s jokes. He accumulated a lot of wealth, but he lived his life alone.

All over It: Chapter Two, apparently Richie is a closed gay man who is in love with his childhood best friend, Eddie (James Ransone plays the adult version). Most of this revelation becomes apparent through two scenes. The first is a flashback to Richie hanging out at a video game the same summer as Team Failure defeated Pennywise for the first time. He plays Street fighter with a child we’ve never seen before. When the kid says he has to go, Richie offers to pay for the next round of play. Unfortunately, the new kid’s cousin, Henry Bowers, lives to torment Richie and his friends. Now facing a bully who is happy and surrounded by the judging eyes of his peers, Richie’s sexual orientation, and therefore masculinity, is being challenged by the person he likes. .

This happened at the height of the AIDS epidemic. Being gay, especially in a small town, means alienation and possibly death. Look at Philadelphia (1993), starring Tom Hanks and telling the story of lawyer and AIDS victim, Andrew Beckett. Beckett’s entire career was purposefully destroyed because his company didn’t want anyone with AIDS near them. He sees there could be dozens of attorneys looking to represent a wrongful termination lawsuit. Joe Miller (Denzel Washington), when he first meets Beckett, tells him that because of his sexual orientation and HIV status, no one will represent him. To the world, Beckett looked like a misfit. In Tony Kushner’s play turned HBO miniseries, Angels in America, some doctors refuse to work with dying AIDS patients, leaving them to lie on filthy beds to be cared for by anyone brave enough to enter the department.

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Richie runs away from the video game and finds refuge in a public park. Before him is a symbol of masculinity; an ax-wielding giant Paul Bunyan was 20 feet taller than young Richie. In a flannel and denim suit, he was the complete opposite of Richie’s blue and pink button-down shirt. The American folk hero instantly became a menace with teeth as crumbling as a whale, but as sharp as a shark’s. While the giant tried to stab Richie, a crowd stood by and watched it happen. The fear, the bullying, and ultimately the way that adults ignore bullying are precisely around the 1989 time period.

The second scene reveals Richie as the stranger that happened when Eddie died. Everyone is sad, but Richie is always by his side, so overcome with emotions, he has to be dragged out of the sewers by his friends. Mature Richie doesn’t seem to fit a 2019 story. Not everyone can come out in America. There are many different reasons to exist in the proverbial closet. Certain careers, such as professional athletes or conservative analysts, can be difficult for an openly gay man. But Richie works as a comedian in Los Angeles. Even if he chooses to keep his sexual orientation close to the vest, the idea that the legalization of 00s marriage or the upcoming celebration of the 90s could miss a man It’s unreasonable for white people to work in Hollywood. If it did, highlighting that fact is important to understanding the character.

Richie was bullied leaving him scarred. I know. I’ve been called a guy who likes to walk home to a friend after school. But college, a big city, and a gay crowd make throwing away the oppressive weight of your wardrobe a celebration. That appears to be an important part of development for much of the gay community. Some of us didn’t join the party. Many people feel there is no place for them because of their skin color, gender identity or financial status. Richie lives outside of these parameters. He doesn’t behave in the way that gay men are so often persecuted. No coercion on women, no humiliation of gay men. However, he fears the weakness displayed by Stanley.

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Screenwriters Gary Dauberman and Hader both shared their thoughts on the picture. But the murky nature of Richie’s strange identity is like a disappointment. The second chapter of It attempts to reveal the manner in which potential childhood trauma arises as an adult. Whatever is buried will eventually come to the surface. There has never been a more painful time for the gay community than the AIDS epidemic. Everything that happened after that solidified the LGBTQIA community as legally representative citizens of the United States. There’s so much more that we’re fighting for, especially our transgender brethren. We’re still struggling to be seen in cinemas as more than tragic stories. The balance of identity representation in The Loser provides an excellent opportunity to detail the influences of the past 30 years on the most privileged members of the community. Richie never even said outright that he was gay.

Joelle Monique is an entertainment journalist living in Los Angeles.

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