‘All the Bright Places’ Review

Adapted from the novel of the same name by Jennifer Niven, by Netflix All bright places is a YA drama in which two teenagers must struggle to deal with the darkness in their lives and find love in the process.

Finch (Pokémon Detective Pikachu’s Justice Smith) is in danger of being expelled from school for her erratic behavior, while Violet (Elle Fanning), once a social butterfly, now finds herself isolated following the sudden death of her sister. Finch was famous at school as he was “dangerous”, furiously banging tables and starting fights. But with Violet’s influence, we can see Finch as a traumatized teenager from past abuse that manifests in the present as a reclusive “dark mood”.

Key point

A refreshing sober spin on the romance of YA.

RELEASE DATE February 28, 2020


A suspenseful, even suspenseful, movie can easily be mistaken for a very serious high school movie (think Orange beetle meeting Love, Simon), film directed by Brett Haley and screenwriters Niven and Liz Hannah (Post) resists any urge to use romance as a panacea for the harsh realities of trauma and mental illness. Without trying too hard, it tells teenagers, and the teenagers we used to be, about how to cope and adapt to life’s first big losses that you don’t see coming. With the steady performances of Smith and Fanning, the result is a romantic drama YA that will be sober and refreshing.

In the novel, Finch is much more explicit about his fascination with death and all the ways he can kill himself. However, the movie version softened his suicidal thoughts by labeling him a “monster” who was seen as “different” in school. We see him holding his breath underwater for a long period of time – in the tub, in the swimming hole – but these moments are more of a boundary-pushing adventure for teenagers than someone in seriousness. Think about your own life.

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Thankfully, Haley (Hearts Beat Loud, I’ll See You in My Dreams) and composer Keegan DeWitt refuses to use the funky yet subdued score to brighten up the photo’s saddest moments. (Consists of All bright placesDeWitt scored Haley’s last four features and the strength of their collaborations.) They intelligently mute the musical accompaniment in these beats inviting us to focus instead of tuning.

At first, Violet seems to be an expected tragedy that entails an injured bad boy that makes her obsessed with trying to save her. Although the first third of the film is rather dull, we eventually realize that writers Niven and Hannah have something more interesting in mind. Helping Violet strengthens Finch, and when she finds herself, he allows her to see his flaws.

She then explained why it helped him relieve his nagging depression. But she eventually realized that she couldn’t save him, and notably, this was never her job in the first place. For a film with a look aimed at young people, especially young women, All bright places refreshingly careful to avoid the cute encounters we’re used to, cast Violet as the heroine – a teenage girl who escapes Finch’s baggage and transforms into a self-aware and living person. emotionally moving at the end of the story.

The Violet and Finch sex scene stands out as one of the most thought-provoking scenes I’ve seen in a YA drama in the way that it normalizes teen sexuality. Sex makes sense to them but is not bogged down by ideals. It makes sense for Violet and Finch to become physically intimate mainly because of the affection they already have for each other, but the film doesn’t consider this moment a big deal worth discussing later. We don’t know if this is Violet or Finch’s first time, and we don’t really care. However, we know that this is what both of them want, and the photo doesn’t shy away from portraying their actual desires. Filmed from Violet’s POV with a slight emphasis on Finch, it adds something pure and sweet but without the sugar.

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Adapting a YA source material into a movie that appeals to both teenagers and adults is no easy feat. In the hands of another director, All bright places could have turned into something more caustic like Children or, at the other end of the continuum, something transient like To all the boys we fell in love with before. But with a tight script and cohesive direction that makes for a light and stinging role, this is the type of streamer who demands easy access without asking for easy answers.

Actors: Elle Fanning, Justice Smith, Alexandra Shipp, Kelli O’Hara, Lamar Johnson, Virginia Gardner, Felix Mallard, Sofia Hasmik, Keegan-Michael Key, Luke Wilson

Distributor: Netflix

Directed by: Brett Haley

Screenwriters: Jennifer Niven, Liz Hannah

Producers: Paula Mazur, Mitchell Kaplan, Elle Fanning, Brittany Kahan Ward, Doug Mankoff, Andrew Spaulding

Executive Producers: Kimi Armstrong Stein, Liz Hannah, Robert Salerno

Director of Photography: Rob Givens

Music: Keegan DeWitt

Editor: Suzy Elmiger

107 minutes

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Posts “‘All the Bright Places’ Review” posted by on 2022-07-06 06:30:04. Thank you for reading the article at Beallich.com – Latest Entertainment News, Events… in the US

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