Ben Affleck & Ana de Armas in Adrian Lyne Film

The main usefulness of Deep water is a record for celebrities in the annals of the off-camera romance that made co-stars Ben Affleck and Ana de Armas a tabloid target for a minute, hopefully with a chemical reaction. learn better than they create on screen. But it serves a secondary purpose for those of us who have once considered Tracy Letts’ extraordinary gifts as both playwright and actor, and wondered, “What’s with him about him? Can’t you do it?” Well, it turns out he couldn’t come out as normal from an Adrian Lyne erotic thriller, not everyone does in this case.

Letts plays Don Wilson, a thinly sketched author who frequently turns his eyes on his kind-hearted friends who go from garden or pool party to party in the suburban bubble New Orleans is full of their leaves. Don is said to be looking to spot dirt for a book he’s working on, but mostly his frustrated expression just says, “Who wrote this?” That is until he is thrown into an absurd climax that seems to have lost some key fundamental foreplay in the edit. This could give the movie a third gift so Letts and his wife, Carrie Coon, decided to watch it one night and enjoy some belly-wrenching laughs.

Deep water

Key point

Even slow burning requires actual heat.

Release date: Friday, March 18
Cast: Ben Affleck, Ana de Armas, Tracy Letts, Lil Rey Howery, Dash Mihok, Finn Wittrock, Kristen Connolly, Jacob Elordi, Rachel Blanchard
Manager: Adrian Lyne
Writer: Zach Helm, Sam Levinson, based on the novel by Patricia Highsmith

R-rated, 1 hour 55 minutes

Lyne, used to be a leading supplier of mulch pulp such as 9½ weeks, Deadly attraction and Indecent Proposalhas been absent since his relatively posh entry in 2002, Unfaithful. Never a director who says no to a dangerous woman has always been a magnet for trouble, he tackled the 1957 Patricia Highsmith novel that had been previously filmed in the 1981 French version titled Eaux Profondes, with Isabelle Huppert and Jean-Louis Trinticy, and then adapted for German television two years later. Lyne’s takes over the documentary, which is non-discriminally written by Zach Helm and Sam Levinson, which manages to extract the subtleties and psychological complexities of Highsmith’s tale of marital wars, transgressions and Obsessions.

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Erotic thrillers are virtually unbranded to Disney, which earned the title of New Regency in the Fox merger. So the film has been gathering dust since its originally scheduled November 2020 release date, shifting twice before finally making its way to Hulu for domestic and Amazon internationally. It’s the ideal streaming fare because you can check your Twitter feed, do Wordle, shop online, hell, maybe make a grilled cheese sandwich without much danger. chance was left behind by the sloppy conspiracy.

Affleck plays the brooding tech entrepreneur Vic Van Allen, who scowls a lot as he angrily walks around town just like Jennifer Beals in dance flashmod, but most just look bored or constipated. That applies even as he is humiliated by his wife’s extramarital affairs, Melinda (de Armas), with a host of men, the younger and better sleeping the better. One of her recent ones, Malcolm McRae, has gone missing, and without even a smile, Vic has threatened her new toy Joel (Brendan C. Miller) by claiming to have killed him.

McRae’s body is eventually discovered in the woods, and while Highsmith’s novel solves that crime and wipes out Vic, here’s the script – or maybe a desperate attempt to create some suspense. in the edit – makes things murky. So for most of the slow two-hour jog, you say to yourself, “No, that can’t be that obvious,” and then when you realize it, you wait for a while. change does not come.

Despite Vic’s unfathomable pride, and the unfortunate camaraderie of his best friends (Lil Rel Howery and Dash Mihok), he’s still a pretty scary guy. Which is by no means threatening. After retiring at a young age after developing a chip to be used in drone warfare, he walks around the house or spends time in the house groping for the snails he raises for visual purposes that I don’t even want to contemplate. The apparent icon of Melinda swallowing a succulent red apple she happened to get while taunting Vic in the car was at least less harsh.

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After Joel leaves, Melinda moves into an upscale bar called Charlie De Lisle (Jacob Elordi), who plays the piano in a cocktail bar, welcoming her to the establishment with “The Lady Is a Tramp.” She becomes more brazen at home, returns still drunk in the morning from her shameless walk, mocks Vic for her passion and taunts, “If you were married to anyone else, you will be so bored, you will kill yourself.”

That should tell us something about Vic’s mysterious nature and the puzzling interdependence of the pair, who are clearly sticking together to avoid a messy divorce. Given that the stigma attached to divorce in the late 1950s, when Highsmith wrote the novel, had long since waned, there must have been some magnetic force holding them together. But the script has no psychological understanding – not even curiosity – to locate it. We get closest to Adrian Lyne’s view that jealousy is a drastic change. Never before had Vic seemed so slightly agitated. He barely woke up.

However, Charlie is flipped out of the picture and followed by the return of Tony Cameron (Finn Wittrock), a boyfriend from before Melinda got married. “Tony was the first American I had sex with!” she exclaimed with glee as he went to the Van Allens’ house for dinner. Good icebreaker. Even before Tony went missing, Melinda began actively accusing Vic of sending her to subjugate her, and she teamed up with the nosy Don to hire the worst private detective in film history. However, the police showed little interest in Vic.

A more exploratory director and screenwriters could have created something about a rich white man that barely raises suspicion amid so many bad deeds. But not here. The short interrogation detective Vic (Jeff Pope) offers a general understanding that his wife has been sleeping around but just lets it go without pursuing the matter further. The lack of coherent logic is like a complete lack of sense of place, and despite the hard work of composer Marco Beltrami, the tension is also MIA.

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While Lyne is the king of the luxury slut, the majority of the director’s films are a better vehicle for his female stars than men – Glenn Close in Deadly attractionDemi Moore in Indecent ProposalDiane Street in Unfaithful.

The same applies here to de Armas, who looks sexy in about a thousand variations on a small black dress or trouser suit – often with a deep neckline or open back – and looks voluptuous. feeling sleepy makes you believe she can do a good job as Marilyn Monroe in the eagerly awaited Andrew Dominik Yellow.

But the rising star has more scope to play in her screen 10 minutes in There’s no time to die. We don’t know anything about Melinda’s past except that she had a voice and sang Paolo Conte at a party, so maybe she’s Italian? Her direction seems to mainly include “Look hot”, “Hot dance”, “Hot pout”, “Touch yourself”. All we really know is that she’s a narcissist, to use a term as dated as the documentary, who needs to be wanted by someone less wood than Vic in order to feel alive.

There’s no doubt that Melinda is the most alive character in this gripping thriller, which makes the setting entirely that of dull old Vic, a snail.

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