You can easily see why Michael Caine would want to play the tough, alcoholic novelist Harris Shaw in Lina Roessler’s comedy. Constantly exclaiming “Bullshite!” and prone to antisocial behaviors such as urinating in his own book while reading literature, Shaw provided the eleventh-born actor with a mature lead role, a far cry from dignified supporting roles. his recent work in the Christopher Nolan films. The character is unbelievable from a distance for a second, but in Caine’s talented hands, he’s incredibly enjoyable to watch.
The same can be said of Aubrey Plaza as Lucy, a young book publisher forced to hit the road with tenacious Shaw to save her company. The talented actress downplays her usual edgy to essentially play the straight man with her famous co-star, and perhaps the most impressive aspect of her performance is her performance. She looks convincingly annoyed even though you know she’s happy to share the screen with the two of you. – Oscar winner.
Their painstaking efforts weren’t enough, alas, to rescue Anthony Grieco’s script from a sense of hopelessness about diagrams and predictions. If you don’t know how the emotional circuit of the movie will play out from the start, you just haven’t seen enough mediocre movies.
As the story begins, Lucy’s company, which she inherited from her father, is struggling financially due to publishing too many terrible YA novels (as if YA novels are even terrible). terrible doesn’t sell as well as pancakes, let alone make a lot of money) from movies and online adaptations). Her only hope lies in the figure of the legendary Shaw, whose last book, written nearly half a century ago, has become a highly emotional work of literature. Lucy discovers that Shaw’s contract stipulates that he owes the company another book, and along with her loyal assistant (Ellen Wong), she visits the reclusive novelist to give him orders. do good.
Needless to say, their meeting didn’t go well. Shaw – the reclusive type who answers the phone by shouting “He’s dead, hang up!” – draw pistols at them. But, as we learned after watching him burn a foreclosure notice, he was also asked for money, so he agreed to let them publish his age-old manuscript, “The Future.” rated X”. (Title do seems like something an older, out-of-touch writer would come up with.)
Unfortunately for him, his contract also stipulates that he must submit his book for editing and he is not happy with the idea. “I would be damned if the incompetent hand of religiosity interfered with my words, Silver Spoon,” he told her, in an example of the kind of flowery dialogue the film imagines a house excellent writing will utter.
The solution is obvious, at least to anyone taking basic screenwriting courses: road trips! Lucy agreed to publish the manuscript unchanged if Shaw accompanied her on a book tour, on which he would read excerpts from his new book Magnum opus. The explanation for the conflict is predictable then, as the evil novelist relentlessly annoys his handler by continuing stunts like reading from penthouse apartment letter, physically attacking a pompous person New York Times book critic (a delightful cameo by Cary Elwes, impressing Truman Capote), and repeatedly chanted his favorite word, “bullshite,” which, of course, went viral and became a meme.
The film’s light-hearted attempts to satirize internet culture and book publishing come into play from time to time, as Lucy discovers that Shaw’s new young fans are interested in T-shirts with faces and prints. his catchphrase than actually reading his books. But the humor is trumped by contrived plot mechanics, which ultimately include some dramatic revelations and an ending that’s scientifically realistically designed to bring tears to your eyes.
That Bestseller Acting on such a level is a testament to Caine’s extreme professionalism – he truly is a treasure trove that would make any movie worth watching – and the incompetence of the Plaza. They work so well together, you wish they were in a better movie.
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