‘Colin in Black & White’ Review

A useful exercise, before describing the new Netflix limited series Colin in black & white because it’s “too dogmatic” or “too nosey” or “lack of flair” that it takes you five minutes to search for Colin Kaepernick’s name on Twitter or your favorite social media platform.

Kaepernick hasn’t played a single NFL game since he was unofficially blacklisted in 2017 – I can give you a list of some of the names of the poor third quarterbacks who started games in recent years, if you somehow think his unemployment rate is purely based on talent – but he is still a character that creates binary reactions. Either he’s a crusader and for some reason, or else he’s… let’s just say that Colin Kaepernick’s detractors are rarely clever in their word choice.

Colin in black & white

Key point

A mixture of sometimes provocative, sometimes irritating elements.

The show’s title addresses the split in people’s perception of Kaepernick as well as the racism that the athlete has always felt trapped in. It also addresses the bluntness of the series Kaepernick created with Ava DuVernay, six half-hour episodes that alternate between wild and utterly self-obsessed perception, between artistic innovation and formulaic innovation. bland, between being a show that I think can and should be watched by everyone and a show where the target audience might just be Kaepernick himself.

Structurally, Kaepernick and DuVernay, with Michael Starrbury as hosts, have built something complicated, if not always successful. A coming-of-age story – basically the early ’00s version of Magic years – fueled by a great performance from Jaden Michael as “Young Colin”. The story is used as a framing device for documentary-style vignettes decoding racist language, explaining the Doll Test (classical psychological experiment in which black children are choose between black and white dolls; most choose the latter, demonstrating its racist harm to children) or provide biographical sketches of such figures as DJ Kool Herc and Allen Iverson. The structure around all of this are sequences in which today’s Kaepernick traverses a variety of contexts, sometimes viewing his youth as moments in a museum, a setting that perhaps reflects how he’s spent his time since becoming famous: criticized, tested, poked and pushed, put on display.

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Colin in black & white focuses on Young Colin as he pursues his football dreams, with Michael leaning on Kaepernick’s insecurities in a very endearing and believable way. A skinny 8th grader, Colin tries to convince the high school coaches that he can play quarterback; As a less skinny high school student, he tries to convince college coaches that he can play quarterback. While his pitch skills and determination speak for themselves, his main obstacle comes from other people’s perception of him, even if they are white football advisers. around the world, people who don’t see in Colin what they consider to be “the archetype”. his position, or various powerful figures who can’t see what they perceive to be signs of race: Colin’s hair, his sense of sarcasm, even side interests his female.

More than anything, perhaps, the cognitive challenges Colin faces are internal. The normal teenage identity struggles are amplified by the need to be recognized for one’s athletic excellence, and by questions about racial identity. His white adoptive parents (played by Nick Offerman and Mary-Louise Parker) are utterly mean and utterly incapable of understanding what it means to be racist in a world that sees everyone. things in black and white.

Each episode sees Colin face a different thematic obstacle and find a lesson to learn, all with a built-in dramatic irony that anyone who has watched the series will perceive. Be fully informed of Kaepernick’s success in college and the NFL as well as on and off the field the factors that have contributed to his current status, for better or worse, as an anti-war fighter. systemic inequality and an unemployed football player.

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Young Colin faces racism from hotel staff and the police, wakes up at a black barbershop, makes a difficult choice for the day he returns home, and confronts a set of Football brains have stood in the way of black midfielders for decades. As in his experience, almost anyone who has ever felt like an outsider or been told their dreams are illusory can be related to them, or can be related to the influence of of Colin’s young age of tired whiteness is shown by Offerman and Parker, who are rarely given. any other qualities to play with. Slightly less relevant, despite being built around the same thematic routes, is the larger part of the show, in which Young Colin constantly talks about people encouraging him to focus on baseball, where He was considered a pro pitching prospect, when what he wanted to do was play. football.

It’s not easy to feel sympathy for Young Colin pouting when he says he could sign a multi-million dollar baseball contract while in high school, but one of the most frequent allegations against Kaepernick in recent years is that if he really loves football, he’s just quiet, standing around singing the national anthem and playing football. Questioning his passion is the argument people think they can make against Kaepernick without sounding racist. But Colin in black & white delves into his love for football and what it took for him, and it highlights exactly the racist aspects that haters would pretend didn’t exist.

The show’s non-fiction vignettes are powerful, especially as they focus on lesser-known Black cultural figures, including athlete artist Romare Bearden. They are supposed to use animation and collage, and when I think about Colin in black & white is a show whose target demographic is probably viewers around Young Colin’s age range, the show feels bright and progressive. It places Kaepernick’s politics and reactions to it in broad historical context, possibly even reaching viewers who are skeptical or opposed to the idea of ​​protest. So could the show’s ideal audience demo be Young Colin’s age viewers and their original parents less open? In these segments, the series is confrontational and devoid of punches, whether involving easy and obvious targets like Donald Trump or picking up on terms sports fans might consider to be. of course.

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It’s hard to warm to the long passages in which a perfectly dressed Kaepernick gives one glorified TED talk, dripping with frustration comparing the NFL mix to a slave auction . now anyone’s first choice. In most cases, Kaepernick’s observations establish the content of each episode, but he’s not a natural enough on-screen presence to justify intros that can span three to three. five minutes. However, I wouldn’t want to lose his cameos entirely; there’s something very poignant about his simulated reaction to his teenage re-creations and Michael’s performance is even better when you can compare it to the real thing.

In directing the first episode, DuVernay established a strong energy, but subsequent directors failed to maintain the necessary balance between elements and tone. The Young Colin segments are quite humorous at times, and the Old Colin segments are understandably infuriating, to the point of boiling. A show with points to do and a compelling story to tell, Colin in black & white It is not always possible to do both at the same time.

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Posts “‘Colin in Black & White’ Review” posted by on 2022-07-10 06:44:28. Thank you for reading the article at Beallich.com – Latest Entertainment News, Events… in the US

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