With Halloween and Friday the 13th only a few weeks apart this year, horror fans may feel horribly missed opportunities as Hollywood’s exhibition options remain constrained by the strength of the show. capacity in many theaters has decreased and screening rooms remain closed in some major markets. However, in order to clearly show confidence in the enthusiasm of moviegoers, Universal Pictures plans to release it widely. Weirdpremiered the film in more than 2,000 theaters amid the pandemic on the iconic Friday.
With little competition between newly released studios, this could prove a smart move, even if Christopher Landon’s murder comedy doesn’t seem to generate as much enthusiasm. Happy Death Day Features and characteristics. Although Landon and co-screenwriter Michael Kennedy captured a winning concept, combining the pretentiousness of body-swapping with serial killer thrills, they shipped the film with a lot of Moments of trifling life lessons where joy gradually drains from the story, like blood from a murder victim.
A clever twist on classic horror with short content.
That outcome isn’t as clear-cut though in a lengthy prologue that introduces Blissfield Butcher (Vince Vaughn), a hard-working masked killer who has unleashed murderous displays every year for the past few decades. Though considered by some to be an urban legend, he displayed serious chops when he reappeared, taking down four chilling high school students at a high-class mansion where He also scores a great new weapon: an ancient Aztec ceremonial dagger.
Depending on personal preference, these preliminary scenes may provide too much information or not nearly enough. Butcher reappeared without any personal background, despite his formidable criminal record, appearing to have escaped close scrutiny by local law enforcement. At the same time, the initial act delves into the details of his monstrously imaginative execution methods, disappointingly wasted on characters who barely appear in the ensuing storyline.
Instead, the focus turns to Millie Kessler (Kathryn Newton), a Blissfield High School senior trying to keep her thinking and staying strong throughout her senior year, dodging the crowds that start her. bullies and mean girls while relying on her two best friends to help her get through the day. Outspoken and proud Joshua (Misha Osherovich) and determined PC Nyla (Celeste O’Connor) provide more support than Millie’s no-nonsense cop sister Charlene (Dana Drori) and emotionally injured mother. emotional Coral (Katie Finneran), still reeling from the death of her husband a year ago.
So it seems extremely unfair that Butcher chose Millie as his next victim, wielding a mystical sword on a full moon night as he chased her across the school football field, where he killed people, stabbed the dagger into her shoulder instead of her. chest. That night Millie fell asleep restlessly, and with good reason, because on Friday the 13th, it was Butcher who woke up in her petite form. Across town, Millie realizes that the mysterious knife has somehow swapped the killer’s mind and personality with hers and now she’s trapped in the 200-pound killer’s muscular frame. pound with law enforcement closed.
While the title of the movie is related to 2003 Freaky Friday, A closer comparison might be a 2002 Rob Schneider car The Hot Chick. That comedy also involved the body swap of a teenage girl, as well as transgender with a male criminal. WeirdThe killer’s DNA is directly rooted in its threat Friday the 13th and masked killer Jason Voorhees, and indirectly from classic horror legacy like Screaming, Halloween and Buffy the Vampire Slayer.
Overall, the filmmakers resisted the temptation to go too meta, remaining focused on their unlucky protagonist and her staunch attacker, especially after Millie found out she was only 24 hours to swap bodies before the dagger’s curse turns the switch permanently. Instead, Landon and Kennedy emphasize the film’s distinctly uncanny sensibilities by elaborating in detail the changes the main characters undergo as they switch bodies and get used to their unfamiliar bodies and reorienting gender perspectives.
Vaughn shamelessly stole several scenes depicting Millie’s often humorous feminization of Butcher’s ferocious demeanor with fluid body movements, shy facial expressions, and distinctively soft voice. is in an unexpectedly tender scene with Millie’s lover Booker (Uriah Shelton). Not to be outdone, Newton improved the aggression that made Butcher formidable with his lithe gait and radiant gaze while discovering the power of femininity to fend off malevolent hostility.
In fact, the script can sometimes focus too strongly on these gender identity issues at the expense of driving the plot, but there’s no doubt that the emphasis of the theme makes for some memorable lines. and funny situations. On balance, though, there’s more to the action than the obvious R-rated humor throughout, which seems like a missed opportunity after Landon uploaded the two. Happy Death Day movie with loads of funny and unexpected horror situations.
Develop a rich imagination, but Weird maybe just too smart to be so interesting.
Distributor: Universal Pictures
Production company: Blumhouse Productions, Split / Conquer
Actors: Vince Vaughn, Kathryn Newton, Celeste O’Connor, Misha Osherovich, Katie Finneran, Uriah Shelton, Dana Drori, Alan Ruck
Directed by: Christopher Landon
Screenwriters: Michael Kennedy, Christopher Landon
Producer: Jason Blum
Executive Producers: Couper Samuelson, Jeanette Volturno
Director of Photography: Laurie Rose
Production Designer: Hillary Andujar
Costume designer: Whitney Anne Adams
Editor: Ben Baudhuin
Music: Bear McCreary
Starring: Sarah Domeier Lindo, Terri Taylor
R-rated, 102 minutes
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