‘India in a Day’ Review

Ordinary people all over India invite us to take a short step into their lives because India in a daythe result of a project initiated by director Richie MehtaGoogle and executive producer Ridley Scott and Anurag Kashyap. Friendly and predictable with all its varied scenes, the documentary becomes a natural warm-up for the new Kaleidoscope festival in India, a joint project of the Museum of Transitional Imagery. and India Center based in NYC.

We are open with mobile phone The video was shot in portrait mode, but thankfully, this scene was an exception. Much of the film was shot surprisingly well, and for the most part it fits into the feature-friendly landscape aspect ratio. Following its one-day format (scene was shot on October 10, 2015, if you’re wondering), we start the night before we wake up with a variety of morning shower and eating routines .

Key point

A colorful and fascinating time capsule.

As the day dawned, the film’s disparate producers began to reveal themselves to us – some intently on camera and some seriously showcasing their town, while others clearly clearly doing something they used to do in the smartphone age, filming themselves. For example, a high school girl filmed her field trip to a science museum and said to her classmates, “It’s a video diary, man – it’s cold.”

Several participants discussed social concerns, although references to poverty, the caste system and women’s rights are often glimpses – and are always balanced with colorful episodes. as sharp as the look of an enterprising driver. rickshawLucky passengers can take advantage of newspapers, chocolates, WIFI and nationwide telephone service. Serving both narrative purposes is a visit to what is believed to be the only food stand run by a transgender chef, where the thriving business appears to serve as a de facto sort of community hub.

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No scene lasts too long, but any leisurely episode is likely to be monted by theme – markets teeming with produce, vehicles jostling through traffic, celebrations birthday. (Just like in the West, the cakes with candles are transformed into the familiar sound of “Happy Birthday to You”.)

Of course, technology is an active topic. While several contributors highlight scarcity – note how some households have to share with a neighbor WIFIor how those who do not have mobile phone rely on neighbors – common thrust based on the rate of change. Both adults and young people look around them and notice how different the world is now than it was in their youth. India in a day hope to testify to this quicksand evolution.

Venue: Kaleidoscope India Film Festival
Production company: Scott Free Productions
Directed by: Richie Mehta
Producer: Jack ArbuthnottCassandra Sigsgaard
Executive producer: Carlo Dusi, Anurag KashyapRidley Scott
Editor: Beverley Mills
Composer: Stephen Warbeck

In English and Hindi

85 minutes

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