A movie about prison chaos with conceit designed for The story of the maid fan, Danishka Esterhazy’s Level 16 imagine a “school” in which girls are raised to be perfectly docile and innocent towards the families they are supposed to one day adopt. Initial suggestions for a Bad girls-meets-Lord in the air Complexity doesn’t show up much in this simple shot, which will be enthusiastic enough for some viewers while most would like something a little more imaginative.
Katie Douglas plays Vivien, one of the teenage residents of “Vestalis Academy,” a windowless all-girls boarding school whose oppressive gray-green color soon becomes a challenge for the film. Newly assigned to a new dorm floor, Rose Hall, she greets her new roommates with a haughty “Every lobby has a top girl and in this lobby it’s me.”
A jailbreak photo with a broad feminist perspective.
Even so, the passive aggression and the threat of pranks are the worst these girls have for each other: For as long as they can remember, they’ve been indoctrinated with techno videos. society’s greatest task is to make them passive. Above all, they are taught to be “clean girls” who adhere to virtues such as obedience and sweetness while avoiding any discord. Anger is second. Curiosity comes first.
This old-fashioned repression might not seem like the most appropriate way to comment on gender politics in the 21st century, but it will make sense as we learn more about what’s going on here. Vestalis’s true agenda remains a surprise, but curbing curiosity and physical audacity is essential to the methods of principal Brixil (Sara Canning) and the doctor. staff Dr. Miro (Peter Outerbridge).
One of Viv’s new roommates is Sophia (Celina Martin), her best friend from long ago, before an innocent mistake causes Viv to incur the wrath of the sunglasses-wearing guards, Scary of Vestalis. Soph has been an outcast ever since, and has made some discoveries in his isolation. Reconnecting with the girl she still longs to be her friend, Sophia whispers to her the secrets of what happens in this building when the lights go out. The two start trying to escape.
The logical plot involving the jailbreak that ensues draws a bit of novelty from the film’s setting, but writer-director Esterhazy drew it as a whole. Worried about Vivien’s growing independence but too fond of her to throw her immediately to the wolves, Dr. Miro advises her, “When a girl is docile and sweet, the whole world cannot don’t love her.” With so little joy to be discovered within these walls, even Viv lives on at the thought that someone outside will eventually reward her with love. Before long, she will learn that solidarity with those she already knows is better.
Production company: Markham Street Films
Distributor: Dark Sky Films
Actors: Katie Douglas, Celina Martin, Sara Canning, Peter Outerbridge, Alexis Whelan
Director and screenwriter: Danishka Esterhazy
Producer: Judy Holm, Michael McNamara
Executive Producer: James Weyman
Director of Photography: Samy Inayeh
Production Designer: Diana Magnus
Costume designer: Jennifer Stroud
Editor: Jorge Weisz
Composer: Menalon, Joseph Murray, Lodewijk Vos
Casting Director: Jonathan Oliveira
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