‘Lupin’ Part 2 Review

When Isolation Programming Happens, Netflix Lupine not the strangest.

After all, there’s been almost a month when all people can do is discuss how they’re not sure why we’re discussing it. Tiger King.


Key point

Still high on style and star power, if not quality.

Release date: Friday, June 11 (Netflix)

Cast: Omar Sy, Ludivine Sagnier, Clotilde Hesme, Nicole Garcia, Herve Pierre, Antoine Gouy, Soufiane Guerrab, Shirine Boutella

Creator: George Kay

But that’s still unlikely – the rare international show seems to catch on instantly (as opposed to slow-growing word-of-mouth sensations like upstream or Dark) although barriers to entry are often large such as foreign languages ​​and source material that can be spoken without controversy, in France is considerably more celebrated than in the United States.

Plus, it’s an amazing tease. Lupine premiered in January with five episodes running at breakneck speed – original director Louis Leterrier built a career on entertaining sugar cubes – before reaching a sudden breakdown that most viewers even don’t even know what’s coming. Because who expected their new Netflix obsession to stop after five episodes? Followed by six months of silence? What sadists is Netflix paying out?

Thankfully, the wait is finally over. Lupine “Season 2”, since Netflix wants to specify it, probably won’t benefit from the high expectations it has right now. There are cracks in this overly flashy veneer that appear when pressure is applied. However, a handful of imperfections don’t detract from the allure of Omar Sy’s star power, be it the healing escapism of the Paris setting or the show’s satisfying dynamics.

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For those who have forgotten, Sy (The Sidewalkers) plays Assane Diop, a master criminal who draws his inspiration and characterization from Maurice Leblanc’s “gentleman thief” Arsène Lupin. During the series premiere, Assane committed a dazzling jewelry heist at the Louvre, part of the Count of Monte Cristo– a great revenge plot against the nefarious Hubert Pellegrini (Hervé Pierre), the powerful tycoon who deceived Assane’s father into prison, where he committed suicide. It becomes a race to see if Assane can get to Pellegrini before the Paris police, bought and paid for by commissioner Dumont (Vincent Garanger), can catch Assane.

Lupine Creator George Kay leaves everything with Assane and her ex Claire (Ludivine Sagnier) in a seaside town when their son, Raoul (Etan Simon), is apparently kidnapped by one of his henchmen. Hubert.

Five new episodes begin immediately, following the kidnapping of Raoul and Assane’s ongoing quest for redemption, as well as the independent investigation of Youssef (Soufiane Guerrab), an honest detective who almost has can appreciate Assane about the fictional Lupine.

The second half of the season gives us more time with Antoine Gouy’s Benjamin, Assane’s lifelong sidekick; some good episodes are built around Juliette by Clotilde Hesme, daughter of Hubert and former flame of Assane; and also the return of the orphaned puppy J’accuse. It’s such a good orchestra that you only get annoyed sometimes that both Pierre and Garanger are one-sided baddies.

It’s a new group of directors for Season 2, but Ludovic Bernard and Hugo Gélin maintain the series’ love affair with a good setting. There are car chases throughout the French countryside, an almost haunted ghost house, romantic stretches along the Champs-Élysées and the Seine, plus a pure finale. Hitchcockian pastiche. Along with Mathieu Lamboley’s scores, Lupine Like its hero and literary inspiration, the swagger of a magician, dares you to see beyond the sight of your hand.

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And in addition to the dexterity of the hand, there is often the addition of flash and much more. Assane is always four or five steps ahead of everyone to a grueling degree, and when Kay and the screenwriters skip the logically important steps in their process, it’s all the more frustrating. The show is still a lot of fun, but even if it leaves you wanting more – at least fans should watch these five episodes knowing that until Season 3 – you can see how unsustainable it can be. ; it’s a bit like New Year’s Eve Killing had a great season and then the stress of repeating the same tricks became too much.

Probably New Year’s Eve Killing suffering because the writers understood that both Sandra Oh and Jodie Comer were necessary for alchemy, while Lupine can last because only Sy. He has a funky chemistry with Sagnier and Hesme, but he can have a funky chemistry with a bread. Watching these five episodes, he’ll become a romantic lead, an action star, and a stylish model for flashy coats, tracksuits, and some ludicrous disguises.

Sy is so good and so flexible I’m ready Lupine to really explore what the race of character means in contemporary France. Interestingly, it’s the 1995 version of Assane – played by Mamadou Haidara, leading the cast of excellent flashbacks – who we see experienced the racist woes of the French treatment. for some immigrants. Sy’s version of Assane is considered invisible, which is not a condition you will necessarily experience when purchasing Sy.

For me, the future of Lupine Hinges not on the next escape, the next daring art gallery raid, or the next postcard placement to provide a production facility with incredible accessibility, but in using reconcile those extremes of Assane’s performance – the way he’s experienced overt discrimination to fly under the radar.

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I’m starting again, placing more expectations on one of the more exciting TV surprises in 2021.

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Posts “‘Lupin’ Part 2 Review” posted by on 2022-07-06 01:25:29. Thank you for reading the article at Beallich.com – Latest Entertainment News, Events… in the US

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