Original Film

On October 12, 1960, John SturgesThe star-studded 128-minute western ‘The Magnificent Seven’ hit theaters in the US, eventually becoming one of the genre’s iconic films. Here’s the Hollywood Reporter’s original review:

The Magnificent Seven there are stars and production values ​​to open big, and probably will. But it is not a success, as a story or as entertainment. About two-thirds of the movie is good, tough, not romantic about the West. About a third is emotional nonsense and it obscures the rest. As if someone decided the painting wasn’t commercial enough. In addition to the so-called commercial value, a beautiful picture is destroyed.

Robert Sturges production and direction Mirisch produced for United Artists. The screenplay by William Roberts was adapted to the screen from a Japanese film some years ago, Seven Samurai. It’s Lou Production Link Morheim’s the idea that this Japanese movie would make a good Western. It was a good idea but it didn’t work out.

The story now features a ragged Mexican village terrorized by a small bandit, Eli. Wallach. To protect myself from his cycle pillagevillagers, headed by Rico Alanizhire a group of gunmen – Yul BrynnerSteve McQueen, Horst Buchholz, Charles Bronson, Robert Vaughn, Brad Dexter and James Coburn. For a fee, these lifeless men agree to protect the town and flee Wallach and his band. The crux of the scenario is that by turning away from idealism for the sake of money, the goodness of their position affects the men. Over time, they got better.

In the first place, the bad guys in the West weren’t samurai, and to make them armor knights the equivalent of armor knights, more character was needed and more exposure was needed. clearer than is stated. These men, in the current version, really [bums], and if this reality is faced and maintained, it will create a diversion and other picture. There’s no romance in the film, except for a completely unbelievable connection at the end, and this simple emphasis on action keeps the movie moving when it’s not mired in philosophy and contrition. deep.

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Brynner is satisfactory in the lead role, although he tends to stick with an expression, perhaps playing the lead. Wallach always a fun actor to watch. McQueen, if he can grow from TV, where he learns nothing and just gets older, will become a great big star. In the last two movies, he’s both played supporting roles and in each he’s been up against the top star, politely speaking.

Buchholz, the young German actor, made his American film bow as a Mexican Indian, a bit curious about casting, but a perfectly fine one. Bronson almost brings out the tender aspects of the film, and the photo could have captured more of him. Vaughn was wasted all but in a role that was clearly left on the ward floor. Other prominent and helpful people include Brad Dexter, James Coburn, Vladimir SokoloffRico Alaniz and Rosenda Monteros.

Sturges as a director is not smart in handling motion. As for the cinematographer, Charles Lang, he made great use of the travel shots, the swirling action sequences that made the movie stand out. Eastman color is awesome, and Panavision good process, although the actual process is better than it is shown here. Elmer Bernstein’s music is truly memorable; theme will stick. The editorial section of Ferris Webster is good, and is a specific piece of action work. – James Powers, first published October 5, 1960.

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Posts “Original Film” posted by on 2022-07-06 11:27:03. Thank you for reading the article at Beallich.com – Latest Entertainment News, Events… in the US

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