‘Palmer’ Review

Just a few months ago, Juno Temple helped deliver the first must-see fledgling Apple TV+ service: Ted Lassoa perfect reality comedy series that embodies sanctity and hope in a world where… well, friend were there. She’s on another side of this trend when reuniting with the streaming service, playing a drug-addicted single mother who abandons her child to a recently released delinquent is truly a… step in the right direction.

That old swindler was Fisher Stevens’ hero of the same name. Palmerand played by Justin Timberlake, he’s almost compelling enough to make you overlook how many times defending a kid has redeemed tough or cranky adults on screen. A capable cast helps the photo rise above its formulaic nature (removing a rambunctious story and some language, and this is a fully mainstream family movie, at least for the audience). with non-gay families), but doesn’t make it a must-see movie by any means. For followers of Timberlake’s acting track record, which has had its ups and downs both commercially and artistically, it’s more proof that a second successful career may await the star. pop music if he wants it.

Key point

Timberlake rose to success in a mostly formulaic TV series.

RELEASE DATE January 29, 2021

Timberlake’s Eddie Palmer is a former hometown hero who ended his football career after just one year of college. Bad choices and weakness over painkillers led him to jail, but he made it through his time without complaint; Returning to small town Louisiana, he is ready to start from the bottom to create a new life.

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He moved in with the grandmother who raised him. Vivian (June Squibb) insists on going to church and doesn’t intend to carry her son: Most of her motherly energy is now needed by Sam (Ryder Allen), the son of a woman who rents a car pull in her side yard. Temple’s Shelly loves Sam but isn’t equipped to deal with addiction, an angry boyfriend (an ignorant Dean Winters) and a child. She often disappears for days or weeks, leaving Vivian his de facto family. Shelly was long among these benders when Vivian died.

As is customary in these stories, Palmer did not want to be tied down with childcare. He might even be a little disgusted with this kid in particular. Sam wears a barrette and plays with dolls; princess is “his favorite thing in the whole world.” “You know you’re a boy, right?” Palmer asked him early. But watching others harass the child was all it took for Palmer to put his frustrations aside. This is a town of schoolyard bullies and Sunday morning chatter, and Cheryl Guerriero’s script shows admirable restraint in allowing us to compare our own offenders’ circumstances. crime and gender nonconforming people.

Palmer got it. And, since the only job he can do in town is cleaning the school, he has to keep an eye on Sam day and night. His attentiveness is certainly noticed by Sam’s beautiful, divorced teacher Miss Maggie (Alisha Wainwright), who volunteers to help her take care of Sam. The two adults deserve some small award for managing to spend as much time as they do together, pretending that they are only interested in taking care of the child.

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Timberlake draws a believable line from a prisoner’s tacit self-protection through the humility of limited freedom to the glow of a possible new life. Palmer isn’t a particularly appealing character, but he feels real enough to fight for Sam when the time comes – both physically, confronting bullies when he can’t, and legally, once the necessary challenge to his guardianship arises. Stevens does not play the card of shreds shamelessly, as many of his predecessors have encountered. But the movie has a little trouble getting us on Palmer’s side, and hopefully the power will come in and make him a father.

Production company: Sidney Kimmel Entertainment, Hercules Film Fund, Rhea Films
Distributor: Apple TV +
Actors: Justin Timberlake, Ryder Allen, Alisha Wainwright, Juno Temple, June Squibb, Lance E. Nichols, Jesse C. Boyd, Wynn Everett, Stephen Louis Grush
Directed by: Fisher Stevens
Screenwriter: Cheryl Guerriero
Producers: Charlie Corwin, Sidney Kimmel, Daniel Nadler, John Penotti, Charles B. Wessler
Executive Producers: Terry Dougas, Jared Goldman, Cheryl Guerriero, Paris Kassidokostas-Latsis
Director of Photography: Tobias A. Schliessler
Production Design: Happy Massee
Costume designer: Megan Coates
Editor: Geoffrey Richman
Composer: Tamar-kali
Casting directors: Kerry Barden, Paul Schnee

R, 111 minutes

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