‘Rocco’ Review

Few porn actors are as famous as Rocco Siffredi, so it was only a matter of time before someone made a documentary about “Italian Stables”. The result, known simply as RoccoDirected by French duo Thierry Demaiziere and Albania Teurlai and is a frequently engaging and beautifully crafted work that attempts to paint a nuanced picture of the man himself and to some extent the industry he has worked in ( he is now retired as an actor).

Well received at the Venice Film Festival premiere, this brilliant piece will go both the general film festival and the non-fiction circuit and have the chance to take part in some theatrical action even beyond. France and Italy. However, TV sales will generally be more problematic, given the subject matter and sheer number of penises – by any means – on screen.

Key point

Too long but worth watching.

The movie opens, as it should, with a shot Siffredi’s Most Filmed Content: His Overrated Neighborhoods. But Demaiziere and Teurlai are very smart about how they present photos: There are fades from black to image, mostly dark grays and blues, like Siffredi take a shower, soap and water flow out of his toned body. The footage is beautiful and not directly sexually suggestive, setting the right tone and suggesting the right mindset for what’s to come.

Movies later Siffredi – actually called Rocco Tano; they are inspired by Roche SiffrediAlain Delon’s character in Borsalino – for about last year, he will be doing porn. Directors are given access to actors-directors-producers globally and their cameras, due to Teurlaifollow him in Budapest, where Siffredi He lives with his wife and two sons and he runs a pornographic production company, shooting in California and making public appearances and private visits in Italy.

When he did the casting for his own film, there was obviously a flirtatious reaction to potential female leads, no Siffredi the girls also didn’t show much inhibition even when they weren’t filming. Perhaps more surprising (and reassuring to viewers) is that the actor-director seems to be constantly making sure that everyone who works with him is aware of the enjoyment but especially the gender. of his co-stars. His onscreen erotic character may like rough and tough things but Rocco emerges from the behind-the-scenes footage here as first and foremost a considerate and sensitive man who takes his job very seriously. mine.

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Gabriele GalettaRocco’s very similar-looking cousin, who had a brief career as a porn performer cut short by on-demand erection problems, is now taking on filming duties on Siffredi’s film. He also often comes up with crazy ideas to lead the sex scenes, which sometimes causes friction between the two. When Galetta Seemingly only halfway through explaining a complex-sounding arrangement, Rocco said shrewdly: “Yes, but when do they do it?”. Clear, Demaiziere and Teurlai have no interest in creating a polite hagiographic profile, although they also do not consider pornography a sloppy or immoral business. It is just that, a business.

Because of the editing – also by Teurlai – sharp, emergent photo of the cousins’ complex and interdependent relationship even though neither of them actually admits how they feel about each other on camera. Working in Rocco’s enduring shadow, Galetta at times seems frustrated and jealous of his cousin’s success while at other times, he is vicariously living off of him. By bringing attention to someone who has similar dreams to Rocco but doesn’t have the same stamina or reach the same level of popularity, Gabriele not only becomes a prop for countless (want) performers who fail to achieve. but also helps hint at how unusual and special Rocco’s career of more than three decades really is.

The most valuable personal insights came from an extensive interview (or interviews?) that directors conducted with Siffredi that is almost exclusively heard by voice. While this avoids turning the documentary into another documentary heavyweight, there are certain moments of honesty – including the early admission that, for the first time in 30 years, he’s finally finally freed from the influence of the “demon between the legs” – that would benefit from seeing Siffredi’s facial expressions instead of his illustrations at work, at home, or backstage. Ditto for all biographical material about his complicated relationship with his mother (who wanted him to be a priest but approved of his job) and the actor’s relationship at times seems painful to his own penis and sex drive (more often than not like a sex addiction).

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“If I don’t suffer, I don’t feel alive,” he says from time to time, remarking, “I always try not to let women down,” which applies not only to many women, but also to many women. female he. in bed but also – perhaps even especially – for his mother and his wife. The fact that it would be difficult to follow both of these statements suggests something about By Tano complex personality. Even without seeing his face when he enters school, the film hints at something about Rocco’s dual personality and his vague feelings about relationships, his body himself and his inner demons.

A lot of documents seem to have been collected in an instant, even though photo job often beautifully composed. Even Rocco’s shots in some of the sex scenes he’s filming are so pretty Beauty it’s high end art production rather than erotic photography (there’s a lot of nudity but all penetration happens off screen). That said, there are some moments that feel staged, including the scene where one of his teenage sons confesses that he’s seen Rocco’s work once and also notes that he Really couldn’t ask for a better father. But even touching answers like these can be revealing: Rocco looks at his son not with pride but with a mixture of approval and pain – “Do I deserve this?” this?” you could almost hear him think – while the utter silence of his other son, who was also in the room, was simply jarring.

With all their talent for suggesting gray areas, inconsistencies and contradictions, filmmakers don’t always try to cram in important details. It was never clear, for example, that Rocco’s wife was a former pornographic actress, which is the key knowledge needed to contextualize her remarks about how she feels about the job. of husband. And the reason why Siffredi Filmed a lot abroad (and possibly even decided to be based in Budapest), specifically Italy’s very murky laws when it comes to pornography, were also never addressed.

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Final, Rocco more interested in suggesting something about the audience and industry psychology that made him famous than among the myriad elements of his non-porn career. There is no mention of his recent appearance on an Italian reality show (which has begun to show a side of him that has never been seen before) or his work as a showrunner. actors in non-erotic films. But despite this and some longueursthe film manages to provide a fascinating look at the kind of man who may be hiding behind the Rocco . brand Siffredi.

Production company: Show 33, Mars Films, Falabracks

Writer-Director: Thierry Demaiziere, Albania Teurlai

Producer: Fabrice Jacket, Michel Spavone, Stephane CelerierValerie Garcia

Director: Albania Teurlai

Editor: Albania Teurlai

Music: Avia

Sales: Wild Bunch

No ratings, 105 minutes

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