Samuel L. Jackson in Apple TV+ Drama

If that’s true, as Coydog (Damon Gupton) says in Apple TV+’s The Last Days of Ptolemy Grey, “All a man is, is what he remembers,” then the Ptolemy Gray (Samuel L.Jackson) we meet at the beginning of the story is hardly the cover of who he is. used to. An ageless person suffering from dementia, he can hardly comprehend what is happening in front of him, let alone everything else that has happened to him over the decades. But when a drug promises to temporarily restore all of Ptolemy’s memories – to make Ptolemy the most complete version of himself, according to Coydog’s logic – the question becomes what will he do with it? That rare gift.

It’s territory rich in potential for all kinds of stories, from intimate to epic, and creator Walter Mosley (who also wrote the book based on it’s six-volume miniseries) stitches a few different threads. together. The last day is a bit of a murder mystery and a bit of a treasure hunt – but it’s most intriguing is simply a TV series, chronicling the (pure) love that develops between Ptolemy and Robyn (Dominique Fishback), who take care of his teen.

The Last Days of Ptolemy Grey

Key point

Watch it for Samuel L. Jackson and Dominique Fishback.

Release date: Friday, March 11 (Apple TV+)
Cast: Samuel L. Jackson, Dominique Fishback, Cynthia Kaye McWilliams, Damon Gupton, Marsha Stephanie Blake, Walton Goggins
Creator: Walter Mosley

The first episode, directed by Ramin Bahrani, feels like a simple TV series and is a meticulously crafted episode. Set before Ptolemy’s treatment, the film offers a haunting look at life with dementia. Past and present blur together: Ptolemy hears Coydog, the man who raised him, whispering in his ear in the present, or sees his late wife Sensia (Cynthia Kaye McWilliams) in the face of a stranger cross the road. The camera shake, blur, and distorted audio bring us into Ptolemy’s disorienting state of mind as he wanders into oncoming traffic or tries to follow a conversation. When Reggie (Omar Benson Miller), his beloved nephew, dies at the end of the episode, Ptolemy’s grief becomes even more writhing as he clings to it relentlessly: Leaving Reggie’s wake, he innocently asked where Reggie was.

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In Ptolemy’s miniature world lies Robyn, a 17-year-old orphan who needs a place to live, and who is willing to work to turn Ptolemy’s cramped, dirty apartment into a livable home for both of them. While Robyn may be a supporting player in Ptolemy’s story, the writing and acting ensure she’s a complete character on her own. Fishback gives Robyn that quiet magnetism that makes her stand out in Judas and the Black Messiah, and the screenplay by Mosley and Jerome Hairston writes her a life beyond Ptolemy, even having a decent love interest at one point. As Ptolemy regains his possessions, his relationship with Robyn deepens, rooted in the care and generosity they show for each other in a world that rarely gives much affection to one another. surname.

After establishing the intimate interior of Ptolemy’s life, The last day adds a bit of myth around the second episode when Dr. Rubin (Walton Goggins) presents his offer. The bargain Ptolemy achieved was Faustian, emphasized by his habit of calling Rubin “Satan”. The sanity granted by the experimental treatment would only last for a few weeks, after which Ptolemy’s mind would decline faster than before; in return, he would sign his body (though no, Ptolemy has one point to note, his soul). Their agreement places Ptolemy in the long history of risky medical experimentation performed on Blacks – which in turn fits a further expansion of white capitalist use and black body abuse, as well as glimpses in the often tragic flashbacks of Coydog and a very young Ptolemy (Percy Daggs IV) in 1930s Mississippi.

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Rubin’s procedure transforms Ptolemy’s relationship with his past. “Now I remember the past instead of me,” he told Coydog in a dream. Jackson was as beautiful as any form of Ptolemy: the fragile man could not trust his own mind; the reincarnated person is determined to make the most of his or her borrowed time; The stable young man is seen going digital in flashbacks cuddling his beautiful wife. The tenacity with which Jackson has built his career is noted here as the tenacity of a man who has lived – sometimes in unrelenting pain, sometimes in dazzling joy, but lived. The fact that Jackson has been an icon for so long the casting felt particularly appropriate. If Ptolemy is a man defined by who he is, so is Jackson, for audiences who have spent the past few decades watching him age and grow on screen.

But The last day lost his leg a bit as Ptolemy began to regain his strength. Restoring his memories puts Ptolemy on two parallel missions. One carries with it a surreal sense of Ptolemy’s deal, sending him in search of the “treasure to save all Negroes” that Coydog entrusted him with decades ago. Neither the search nor the loot is too thrilling, and the plot works best as an excuse for Ptolemy to retell Robyn with stories of Sensia, each detail adding texture to what originally had. looks like a polished, flawless romance – and each new wrinkle fills in a more complete portrait of the man Ptolemy once was.

Less effective was still Ptolemy’s search for Reggie’s killer. Deadly stakes seem to be for The last day a bit of a thrilling dynamic, and the series tries to set the tone early with a flashy opening to a lucid Ptolemy waiting at a table with a loaded gun. (It’ll be another five hours before we get back to what happened next.) But while Ptolemy’s determination is to never doubt, the mystery itself feels amusing. It’s clear who the killer is, the only reason to suspect someone else is it seems also clear, and the resolution feels too light to carry the weight it needs.

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As the story progresses, the treasure hunt and murder mystery take up more and more time and attention, with the rewards dwindling. A series that begins heartbreakingly and ends in a huff. The last day never drops to boring – if nothing else, it’s always a pleasure to bask in the warm glow of Ptolemy and Robin’s friendship, or sit back and admire Jackson’s nuanced performance . But one question Robyn poses at the beginning of the story begins to feel more relevant: “What if you wasted your little time looking for answers that aren’t there?” she asked. Robyn’s worries proved unfounded, in the sense that Ptolemy found exactly what he was looking for. However, it turns out that The last day is best when it’s not looking for any specific answer – when it’s just letting Ptolemy be.

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Posts “Samuel L. Jackson in Apple TV+ Drama” posted by on 2022-07-06 04:28:52. Thank you for reading the article at – Latest Entertainment News, Events… in the US

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