‘See’ Review

Through the first three episodes, the new Apple TV series + See is a roller coaster game of a show. Not an hour goes by that I don’t check my watch, chuckle at some ridiculous performance choices, and write down a lot of pointless plot points in my notes. However, not an hour goes by without a concept or two that I find fascinating, a scene or two that I find breathtaking, or an action scene that I find ambitious.

As you’ll see is trending with this first batch of original Apple TV+, See So far that hasn’t come close to a good show, but it’s just enough to make you believe that under the right circumstances, there’s finally a good show out there somewhere.

Key point

Rarely better than that.

Created by Steven Knight (Peaky Blinders), a trusted source of interesting ideas, See explains in the introductory text that it’s set centuries after a 21st-century virus wiped out the planet’s population and left two million survivors unseen. As the story begins, the remnants of humanity have condensed into lost tribes and the very idea of ​​sight is seen as the stuff of witchcraft, something unthinkable and unthinkable. can be found.

Our hero is Baba Voss (Jason Momoa), a goodwill fighter who is hiding his shady and mysterious past. Baba Voss, the long-desired heiress – not the hair, you remember, because no Jason Momoa character can yearn for better hair than Jason Momoa possesses – just married Maghra (Hera). Hilmar), a woman new to the tribe is pregnant with another man’s child. That man is the infamous Jerlamarel (Joshua Henry), who is often absent from the screen because he is wanted on charges of witchcraft and rumors that he is gifted with light or something. Midwife Paris (Alfre Woodard) quickly suspects that Maghra’s babies (or babies) will have similar powers. And if they weren’t, there wouldn’t be much of a show here.

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Pursuing Jerlamarel to the ends of the earth is Tamacti Jun (Christian Camargo), a tax collector and witch hunter for Queen Kane (Sylvia Hoeks), the ruler of a clan somewhat more senior than the Baba Voss leader. religion. Queen Kane, who bonds with God through orgasm in a way that has to be seen many times to be believable, is determined to capture Jerlamarel and reason that she will not be passive about the ability he now has. . Children also have to worry.

Directed by Francis Lawrence (Red sparrow) and was photographed in a variety of photogenic locations in British Columbia, See has unquestionably epic scope. Baba Voss’ crew wanders through endless lush forests, mountains and lakeside vistas, while Queen Kane’s settlement is set up to be much more sensual at an abandoned dam surrounded by similar natural elements. My most common note throughout is, “Well, at least it’s pretty.”

The big picture concept, explored with real mental and intellectual complexity in the novel by Jose Saramago Blindsometimes fodder for a moment of clever ingenuity as you ponder how unseenness informs everything from basic hunting excursions to setting up tribal homes to rituals. Ceremonial scar on everyone’s face to the general military strategy.

Early episodes featured some skirmishes supported by the reasonable speculation “How will the two blind armies fight?” consideration and support is not small with the towering physical performance from Momoa.

But the episodes aren’t all smart or action-packed, and Momoa’s performance is far less compelling in terms of non-physicals. Seespanning nearly 18 years over three episodes, significantly and often slowly, as if to ensure that the production is worth the time it takes to shoot through the wilderness.

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This opens the door to questions, many questions. Some may be answered in the following episodes. I do not know. These questions include:

Does this make any sense and does it feel like it makes the border uncomfortable? The decision to program an unspecified number of centuries into the future was meant to remove some doubts about an overall thesis that could be summed up as: “There but society sees clearly. ” So we don’t know how civilization collapsed immediately after people lost their sight, nor do we have any real understanding of how human evolution caused our ancestors to die. our future blind acquires semi-magical enhancements of the other senses; it seems that most of the research is done by rereading the problems of Daredevil. I’m sure See There were experts and futurists at hand, but their work was only fleetingly obvious. It is a strange and condemnable thing See posits that the future of humanity hinges on genetic aberrations who restore sight, when those characters are presented at a relatively unacceptable level – as if inadvertently saying, “A annoying person, able to read To Kill a Mockingbird more valuable than any blind story.”

Given the plot, isn’t the show a more sensory experience? Lawrence and his production team did a great job creating See into a visual scene. They do almost no work to capture any of the main characters’ perspectives of the show. The sound design is solid, but unremarkable (although Bear McCreary’s score is, as always, an asset). Cinematography is considered conventional for its attractiveness. There are many opportunities to refresh and take risks here, and this is the bare minimum. That also extends to dialogue: For all the names of linguistic advancement, See hardly gives you any glimpse of how communication might have evolved in a world where one might assume auditory interactions have taken on a new layer. Compare this to the fun Knight had with the vernacular in Peaky Blinders and it’s unbelievably dull.

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What is Alfred Woodard doing here? Perhaps Paris will suddenly become a thrilling and complex character in the second half of the season? I can not tell. But nothing I’ve seen so far gives any indication of what an actor of Woodard’s caliber would be attracted to, and the legitimacy she’s added to the project goes beyond anything. Apple can pay her. It’s hard to understand. Really, there are very few parts of any substance here. Momoa swaggered and grumbled with authority. Camargo glared and grumbled. With growls and orgasms, Hoeks definitely gives the cast the best performance and she’s definitely memorable. However, most of the supporting actors are not the characters they are playing. These aren’t great roles, but they’re outstanding roles, and I often have to ask why the show doesn’t cast all or almost all of its blind or visually impaired actors.

Maybe some of these questions will be answered eventually, but I won’t have the patience to wait any longer. After three episodes, See rarely better than that.

Actors: Jason Momoa, Alfre Woodard, Sylvia Hoeks, Christian Camargo, Hera Hilmar, Archie Madekwe, Nesta Cooper

Creator: Steven Knight

Directed by: Francis Lawrence

Episodes will premiere every Friday on Apple TV+ starting November 1.

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