Taylor Swift Releases “All Too Well” Short Film

Taylor Swift fans might agree, but not at all, after watching the short clip based on one of her most emotional songs.

After releasing a re-record of her 2012 album, RedOn Thursday night, Swift surprised fans with a short clip that accompanies the 10-minute original version of the hit song “All Too Well”. The film was written and directed by Swift, and stars Dylan O’Brien and Sadie Sink. It was shot on 35mm stock with Rina Yang as the cinematographer.

In short, introduced with a quote by Pablo Neruda that reads: “Love is so short; It’s been too long,” Swift chronicles the ups and downs of the relationship between O’Brien and Sink’s characters. The film opens with Sink asking O’Brien, “Are you real? … I just feel like maybe I made it up for you.” In the montage, the film recounts the couple’s relationship from happy moments of new love up to “the first crack in the glass.” In one scene, the music stops playing as O’Brien and Sink’s characters have a heated argument in which the character gets into a heated argument. of Sink expressed his frustration and hurt when he acted differently from her when he was with his friends, ignored her and even at one point put her hand down. The film follows Sink as she mourns the loss of a relationship.

At the end of the film, Swift appears as an adult version of the character Sink, as she speaks at an event to promote her debut novel, Everything is so good. The film ends with O’Brien sadly watching from a distance while wearing a scarf.

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The film also stars Shawn Levy.

Swift joined O’Brien and Sink at the short’s premiere at New York City’s AMC Lincoln Center theater.

“From start to finish, this is just a surreal experience,” says Sink. “I’m so glad we can finally share this with everyone and I hope you all enjoy it.” O’Brien also praised Swift as “a genius” and “the most beautiful person ever.”

Swift has described “All Too Well” – long speculated to be about her previous relationship with Jake Gyllenhaal – as one of the more difficult songs to write. While talking about the above song Rolling Stone‘s podcast Rolling Stone’s 500 Best Albums, Swift said she recorded the song when she felt “like a broken human” and “terrified about what was going on” in her personal life.

“I just played four chords over and over, and the band started to work.… I think they might know I really got through it,” she said.

Although the song was not a single after the album’s initial release, Swift has admitted that it has taken on a life of its own among fans.

Before performing the song in her Netflix concert special, Visit Fame StadiumSwift explained that fans helped turn the standout track into something “different” for her. “This song has two lives in my brain. In my brain, there’s the vitality of this song born out of being emotional and venting and trying to get over something or trying to understand it and process it. And then there’s life where it comes out into the world, and you’ve made this song something completely different for me. You made this song a collage of memories watching you scream the words to this song,” Swift said.

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In Thursday’s appearance on Late Night with Seth Meyers to discuss her new version RedSwift said, “Really happy to be able to put this album out and don’t be sad. Not being, like, taking breaks between interviews to cry,” recalls how she felt at the time of the original release. “I’m telling you, it’s much better this way.”

Earlier this year, Swift also debuted Fearless (Taylor’s version) which includes unreleased songs and new collaborations. When recording Red to be teasing on social mediaThe singer revealed that the new version “will be the first time you listen to all 30 songs that are supposed to continue.” Red.“For this album of the song “from the vault”, Swift includes collaborations with Chris Stapleton, Phoebe Bridgers and Ed Sheeran. She also included her performances of “Better Man” and “Babe,” songs that she wrote and was eventually recorded by Little Big Town and Sugarland.

Red marks Swift’s second recorded album. The singer has confirmed that she will re-record all of her original records, including Taylor Swift (2006), Not fear (2008), Say (2010), Red (2012), 1989 (2014) and 2017 Reputation, to offset the controversial $300 million acquisition of Swift’s former label, Big Machine Records, by Scooter Braun’s Ithaca Holding. Swift has masters to her Lover, Folklore and Always album, released under her new agreement with Republic Records and Universal Music Group, and now Fearless (Taylor’s version) and Red (Taylor’s version).

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