‘The Good Fight’ to End With Season 6 on Paramount+

good fight, The first scripted original series for the former CBS Unlimited, is coming to an end.

The previously announced sixth season will be its last. The final installment of the series from creators/presenters Robert and Michelle King will premiere on Thursday, September 8, on Paramount+.

“We did love Come on Good fight six seasons ago. Being able to tell stories of an upside down world in real time is a gift. And to be able to work with these generous, brilliant, talented actors, writers and crew is a blessing,” the married duo said in a joint statement Friday. “Our plan to cut hope is to find a way to work with all of them again in the future.”

In an interview with The Hollywood Reporter, The Kings said the final season focuses on an upcoming civil war as Diane (Christine Baranski) faces what streamers call “the uncomfortable feeling of déjà vu, with everything from Roe v. Wade, for the right to vote, for the returning Cold War invaders. Meanwhile, Reddick & Associates lawyers wondered if the violence they saw around them indicated an impending civil war.”

The Kings, fearing that their important darling would become a repeat if it continued, said that season six felt like a natural ending. The duo also noted that the series, itself a spin-off of The good Wife, there are plenty of memorable characters who could provide rich material for another branch, although none are currently in development. (Read the full Q&A with the kings below.)

Good fight from CBS Studios and Scott Free Productions. Kings executives produce through their banner King Size Productions, which has been based for many years at CBS Studios. John Slattery, Sarah Steele, Michael Boatman, Nyambi Nyambi, Charmaine Bingwa, Audra McDonald and star Andre Braugher in season six, with Alan Cumming and Carrie Preston having cameos.

“Thanks to the creativity of Robert and Michelle King, Good fight said David Stapf, president of CBS Studios. “Robert and Michelle got most of their network, The good Wife, which pushed the boundaries of creativity and turned it into a signature streaming series. This is a series that taps into nationalist psychology to artistically reveal the absurdity and anxiety of a nation in transition, both culturally and politically. Their story is further enhanced by the amazing acting talents of Christine, Audra, Sarah, Michael, Nyambi, Charmaine and an incredible roster of lead actors and guests throughout the run. Taken together, this amazing collection of creative talent has launched a series of films that are increasingly admired by critics, peers and global audiences. We’re excited to see what this company has in store for the final season; I have no doubt that it will be memorable.”

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The Kings also executive produce the TV series Paramount + Sinister, Movie schedule Your honor and there is one coming Happy face for live streamers.

Why is this the right time to end the program?

Robert King: Michelle and I looked at each other at the end of last season and we knew that a) we were exhausted; and b) sometimes it’s hard to tell where you’re tired or if you’re worried that storytelling will get tiresome. You are not the end of all possible stories that you can tell but about what the characters have said. Michelle and I had an honest conversation about whether we were coming to an end. Then the build for this year is mostly about a cataclysm, which seems like the right ending to all of these stories.

Michelle King: Season six focuses heavily on an upcoming civil war. So instead of violence being just a metaphor, there’s real violence on the streets of Chicago around our law firm that you’ll feel throughout the season. That feels like, “That’s how the show ends.”

How Good fight becomes its own animal after what The good Wife is before it?

Michelle King: The challenge of this show is to make it feel so different from The good Wife because otherwise it will just feel superfluous. Once Trump is elected, the program has its mission; it makes sense to see how Diane Lockhart (Baranski), a hardline libertarian, would react to this new world.

Robert King: We started with the idea that Hillary Clinton would become president and this glass ceiling would be broken. Diane’s good fight there is that she’s lost all her money and her career, and the good fight is that she’s trying to get back to the top. But as the world shifts along its axis, the title seems to take on a different meaning. There’s still a war for her in the world and a way to pursue a character when she’s psychologically breaking down from all the world wars she’s losing. It is very different from Good fight, it is about the decline of a progressive; the decline of the free people. Now, we are in this political world and it is not clear where we are going except to pursue fervor this year.

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It’s hard to ignore our current news cycle, with what’s going on in Texas and at the Supreme Court with abortion and so on. Is there fodder for the third part?

Michelle King: That’s a flattering question because it suggests that somehow our program could change things, and I don’t think I’m optimistic about what we can do. It’s certainly fodder for the art of storytelling, which we don’t lack. The worry is that we don’t want to be repetitive. And continuing to let our characters react to what they see as tearing down our democracy can turn into something repetitive.

Robert King: It’s one of the things that kicks off the season: Diane feels she’s always in shape déjà vu because she reacts to the same circumstances she thinks she will win, not just Roe v. Wade which is obviously gun control – all these liberal causes have disintegrated in our hands. We think it’s a good deal this year but if you keep doing it year after year, I’ll stop following even if I created the show.

Is this the end of Good franchise or do you have other ideas for me? Are you initiating any ideas around? Have you introduced anything that is in active development?

Robert King: I wouldn’t say never because there are so many interesting people out there who would be happy to pursue their own show.

Michelle King: We did not advertise anything; We’re trying to land this plane.

Robert King: Then we have the second season of Showtime’s Your honor and have Happy face for Paramount+. And we’re in the process of developing things that we’re not ready to offer yet.

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Michelle King: And we have [the unscripted show] Did I lie to you? on the CW.

Looking back, are there any storylines where you just couldn’t get access to the entire franchise?

Robert King: We had a cartoon about China that we were never able to air. I look at it every night and think, “What could happen.” It’s very fun. There’s a story we want to tell The good Wife about the NFL that we were able to do this year in the third episode [of Good Fight].

In the end, what do you hope viewers will learn from the end of the last series of Good fight?

Robert King: Christine Baranski that is the actress of our time. However, that’s probably not the scene. We haven’t written it yet. Now we’re in the writers room thinking about that. We hope it ends in a way that seems inevitable but surprising and puts character first.

The interview is edited and condensed for clarity.

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